tag:blogger.com,1999:blog-3148747276074615832024-03-21T03:02:24.114-07:00suckstract10 internationale abstrakte Malereipositionen, die sich mit formaler Kühle und Reduktion oder empathisch-emotionalen Sinneszuständen befassen. Unknownnoreply@blogger.comBlogger1125tag:blogger.com,1999:blog-314874727607461583.post-4311665637937843652013-08-10T08:14:00.000-07:002014-06-10T13:53:20.185-07:00suckstract<div style="background-color: white;">
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<span style="font-size: large;"><b>Städtische Galerie Remscheid</b></span></div>
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<span style="font-size: large;">15.06.-31.08.2014</span></div>
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<span style="font-family: "Arial","sans-serif"; mso-bidi-font-family: "Times New Roman";">Abstraktion in der Malerei hat
Konjunktur. Nachdem zu Beginn der letzten Dekade vornehmlich die sogenannte
figurative Malerei nach langer Zeit der Verschmähung wieder ein größeres
öffentliches Interesse erhalten hat, liegt der Fokus in den vergangene Jahren
vermehrt auf abstrakte Varianten, die freien Gestus und geometrische Strukturen
gleichermaßen vereinen. Nachdem sich bereits zahlreiche Ausstellungen dem Thema
der Abstraktion in einer Art Überblick zugewandt haben, beschäftigt sich die
Präsentation „Suckstract“ mit der Frage, was denn der Begriff „Abstraktion“
überhaupt bedeutet. <o:p></o:p></span></div>
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<span style="font-family: "Arial","sans-serif"; mso-bidi-font-family: "Times New Roman";">Die zehn Malereipositionen der
Ausstellung „Suckstract“ fokussieren den Blick auf ein wesentliches Moment der
Abstraktion: die Reduktion von Form und Material. Gleichzeitig visualisieren
sie die vielfältigen Möglichkeiten von Oberflächenbeschaffenheiten, von
textilen Strukturen bis hin zu jenen, die Anleihen des Digitalen aufweisen –
von pragmatischer Reduktion, über emotionale Setzungen bis zu ironischen
Zitaten kombiniert diese Gruppenausstellung verschiedene Konzeptionen und Bearbeitungen
von Abstraktion. Zudem veranschaulichen einige Positionen eine Entwicklung, die
der Malerei insgesamt aus ihrer medialen Isolation verholfen hat: das Einbinden
skulpturaler Elemente, das ihr eine raumgreifende Aufmerksamkeit zuspricht. Die
Wortschöpfung „Suckstract“ beschreibt den dadurch entstehenden visuellen „Sog“
bzw. „Wirbel“, und hebt die mediale Vielfalt in den malerischen Auseinandersetzungen
der Gegenwart hervor.<o:p></o:p></span></div>
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<span style="font-family: Arial, sans-serif; line-height: 150%;">Oliver Zybok</span></div>
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<span lang="EN-GB" style="font-family: "Verdana","sans-serif"; mso-ansi-language: EN-GB;">Abstraction
in painting is booming. After the so-called figurative has notably received
greater public interest in the beginning of the last decade, it is abstract
variants that combine free gesture and geometric structures alike that have
increasingly attracted attention over the past few years. Whereas numerous
exhibitions focused on overviews on the theme of abstraction, "Suckstract"
rather revolves around the meaning of the term abstraction itself.<o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: "Verdana","sans-serif"; mso-ansi-language: EN-GB;">The
work in this show focuses on reduction of form and material as an essential
element of abstraction. At the same time it shows a variety of possible surface
textures, from textile structures to those related to the digital. This group
show combines different concepts and realisations of abstraction, from pragmatic
reduction to emotional placements and ironic quotes. </span><span style="font-family: Verdana, sans-serif;">There
is also work that integrates sculptural elements, helping painting out of its
medial isolation, and rewarding it with spatial attention. The neologism
"Suckstract" describes the visual "pull" or
"vortex" resulting from this approach and highlights the variety of
media in contemporary painting.</span></div>
<span style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif;"><span style="line-height: 30px;">Oliver Zybok</span></span></div>
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<span style="font-size: large;"><b>Projektraum Bethanien, Berlin</b></span></div>
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<span style="font-size: large;">19.-22.09. 2013</span></div>
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10 internationale abstrakte Malereipositionen, die sich mit formaler Kühle und Reduktion oder empathisch-emotionalen Sinneszuständen befassen. So auffällig divergent die Arbeitsweisen - scheinen sich alle Positionen in der Suche nach dem „Guten Bild“ zu einen. Dabei wird nicht zuletzt auf Zitate und Klischees der Bad Painting Area zurückgegriffen, welche erneut humoristisch oder gar ernsthaft selbstbewusst ironisiert und umgedeutet werden. So verfolgen die Künstler dieser Ausstellung eine in ihren Augen befreite Malerei.<!--[if gte mso 9]><xml>
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We are happy to announce <i>suckstract</i>, an exhibition, showing abstract paintings by 10
international artists. Their approaches, reaching from formal reduction to intuitive
access refer as much to provisional painting and de-skilling, as they are humorously
reinterpreting quotes and clichés of “bad painting”.</div>
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