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| Gabriel Vormstein, Flat fields, 2013, Acylic on newspaper, 154 x 110 cm |
Gabriel Vormsteins Malerei, Collagen und Installationen umschreiben verschiedene Formen von Zeitlichkeit, wobei sie die befristete Aktualität eines Zustands umkreisen.
With the physical world as a point of departure, Vormstein captures the feeling for the artistic process and materials as a means of examining the relationship between man, nature, and time.
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| Gabriel Vormstein, Still hate to feel, 2012, Acrylic, watercolor on newspaper, 155 x 112 cm |
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| Gabriel Vormstein, Marabou, wallpaint, watercolour, tape, pencil on newspaper, 2011 |
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